Difference between revisions of "Overview of environments"

From Cinemachines
Line 89: Line 89:
 
Farnsworth's tv kopieres af Zworykin under ledelse af medie-megul David Sarnoff
 
Farnsworth's tv kopieres af Zworykin under ledelse af medie-megul David Sarnoff
 
|-
 
|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.97mm;" | D
+
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.97mm;" rowspan="3" | DIGIT
 
 
I
 
 
 
G
 
 
 
I
 
 
 
T
 
 
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.97mm;" | Screen
 
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.97mm;" | Screen
 
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.97mm;" | NON-RESPONSIVE: Plasma TV - LED TV - LCD TV - Light pen CRT
 
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.97mm;" | NON-RESPONSIVE: Plasma TV - LED TV - LCD TV - Light pen CRT
Line 118: Line 110:
  
  
'''Den nye underinddeling af source-teknologier'''
+
== Den nye underinddeling af source-teknologier ==
  
  
{| style="border-spacing:0;margin:auto;width:379.99mm;"
+
{| class="wikitable" style="border-spacing:0;margin:auto;width:379.99mm;"
 
|-
 
|-
| style="border-top:0.05pt solid #000000;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.97mm;" | O
+
| style="border-top:0.05pt solid #000000;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.97mm;" rowspan="4" | OPTISK
 
 
P
 
 
 
T
 
 
 
I
 
 
 
S
 
 
 
K
 
 
| style="border-top:0.05pt solid #000000;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.97mm;" | Optisk
 
| style="border-top:0.05pt solid #000000;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.97mm;" | Optisk
 
| style="border-top:0.05pt solid #000000;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.97mm;" | Teleskop - Mikroskop - Hockney's linser - Camera obscura
 
| style="border-top:0.05pt solid #000000;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.97mm;" | Teleskop - Mikroskop - Hockney's linser - Camera obscura
Line 150: Line 132:
 
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.97mm;" | Apparater, der styrer animationen, før de er lavet om til film. Skal således kombineres med andre "kilder".
 
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.97mm;" | Apparater, der styrer animationen, før de er lavet om til film. Skal således kombineres med andre "kilder".
 
|-
 
|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.97mm;" | P
+
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.97mm;" rowspan="4" | PLAST
 
 
L
 
 
 
A
 
 
 
S
 
 
 
T
 
 
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.97mm;" | Spektral
 
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.97mm;" | Spektral
 
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.97mm;" | Fotoskop - Muybridge (multi-kamera)
 
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.97mm;" | Fotoskop - Muybridge (multi-kamera)
Line 175: Line 149:
 
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.97mm;" |  
 
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.97mm;" |  
 
|-
 
|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.97mm;" | E
+
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.97mm;" rowspan="3" | ELEK
 
 
L
 
 
 
E
 
 
 
K
 
 
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.97mm;" | Spektral
 
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.97mm;" | Spektral
 
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.97mm;" | X-ray (+ CT) - IR-camera - MR scanning - Ultralyd-scan - Electro microscope (Zworykin)
 
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.97mm;" | X-ray (+ CT) - IR-camera - MR scanning - Ultralyd-scan - Electro microscope (Zworykin)
Line 194: Line 162:
 
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.97mm;" |  
 
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:0.05pt solid #000000;padding:0.97mm;" |  
 
|-
 
|-
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.97mm;" | D
+
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.97mm;" rowspan="4" | DIGI
 
 
I
 
 
 
G
 
 
 
I
 
 
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.97mm;" | Optisk
 
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.97mm;" | Optisk
 
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.97mm;" | Scanner - Digital kamera - HDR-kamera - 360* kamera (via stitching)
 
| style="border-top:none;border-bottom:0.05pt solid #000000;border-left:0.05pt solid #000000;border-right:none;padding:0.97mm;" | Scanner - Digital kamera - HDR-kamera - 360* kamera (via stitching)

Revision as of 02:27, 25 November 2019

Den nye underinddeling af miljøerne: Displays (30 + 13 + 9 + 8 = 60)

OPTISK MILJØ Kinetisk KINETISK: Kinetisk postkort - Bøjeligt papir animation - Motor-skulpturer - Flexagon - Cymatics


PHI-BASERET: Kaleidophone - Chromatrope

Kinetiske maskiner/skulpturer, som ikke i sig selv er filmmaskiner. Det gælder første gruppe, hvor objektet selv bevæger sig, og anden gruppe hvor phi-effekten gør, at der opstår en ny figur ud af objektets bevægelse (proto-plastisk-mekanisk miljø).
Spejle/linser Anamorfose malerier - [Picassos skulptur] - Spejl-sal - Teleidoskop - Anorthoscope - Hockney linser Spejle og linser, der bruges til animation - fx.
Skygger/silhuette Skygge-teater - Bauhaus-orgel (Schwerdtfeger og Hirschfeldt) - Whitney Stencils


Caroline Leaf - Lotte Reiniger

Projektion CARTRIDGE: Dias-projektor - Laterna magica - Kinetisk laterna magica - Kircher (farvet glas)


SOURCE: Lys orgel - Kaleidoskop - Vortex Concert (planetarium) - Liquid light shows - Kemi-projektion (Nekes) - Overhead-projektor - Jim Davis' skulptur - Camera obscura [episkopisk]

Laser LZX cyclop
Holografi Hologram - Kinebar (hologram på penge)
Lyset selv Fyrværkeri - Plasma globe - Lava lampe
PLAS-MEKAN Papir UDEN KASETTE: Thaumatrope - Phenaskitoskop (skive) - Flip book


KARTRIDGE: Zoetrope - Praxinoscope (Zoetrope-lign.) - Zoopraxiscope (Muybridge) - Mutoscope (flip-book-holder) - Kinetoscope (Edison)

Papir eller lignende animeres via lukkere eller spejle. Ingen projektion

Nogle af dem er "masse-medier", fx. fordi mange kan stå rundt om zoetrope, mens andre er med peephole

Gitter UDEN KASETTE: Lenticular cards - Scanimate books


KARTRIDGE: Moire pattern kit

Animation via gitter, hvis bevægelse fungerer ligesom en lukker
Kemisk UDEN KASETTE: [single film viewer??]


Kartridge: Film projector - Filmi viewer - Phantoscope (Jenkins)

Baseret på diaskopisk projektion.

Muliggør både foto-kemisk film og fiksering af kemisk proces på film (Brakhage)

ELEKT Gitter Elektrisk billede (gitter) Ligner meget pixels, hvor en photoresistor sender signal videre til lampe i gitter
Mekanisk TV m/

Nipkow skive

Televisor (Baird - UK) - Television (C. Francis Jenkins - US) Skandering via Nipkow skive
CRT vector YT-oscilloskop - XY-oscilloskop - XYZ-oscilloskop
CRT raster Image dissector (Farnsworth) - Iconoscope (Zworykin) - Photomultiplier (Zworykin)


Sort/hvid CRT - Farve CRT - Video-projektor CRT

Braun er opfinder af CRT

Farnsworth's tv kopieres af Zworykin under ledelse af medie-megul David Sarnoff

DIGIT Screen NON-RESPONSIVE: Plasma TV - LED TV - LCD TV - Light pen CRT


RESPONSIVE: Tablets - Video arcade

Responsive [tidl. interaktiv] er et spørgsmål om, om display-teknologien selv integrerer en respons-system (sensor), fx. gennem touch, light pen, osv.
Volumetric NON-RESPONSIVE: Mixed reality
Head-mounted RESPONSIVE: 360* video - Immersive VR



Den nye underinddeling af source-teknologier

OPTISK Optisk Teleskop - Mikroskop - Hockney's linser - Camera obscura
Geometrisk Perspektiv-gitter (Dürer) - Spirograf
"Syntese" Kaleidoskop
Præ-animation Wax slicer - Totalization - Whitney cam machine - Pinscreen - Phonotrope - [Etch-a-sketch?] - Tavle (Emile Cohl) Apparater, der styrer animationen, før de er lavet om til film. Skal således kombineres med andre "kilder".
PLAST Spektral Fotoskop - Muybridge (multi-kamera) Fotoskop dækker både over fotokemisk og kemisk fiksering - hertil kommer, at der jo er abstraherende og syntetiserende funktioner ved kameraet, såvel som at der er overskridelsen af tid/rum
Eksponering Long-time exposure - Marey (single-lens) - Slit-scan technique
Animation Slow/fast-motion - Stop-motion - Pixellation - Cel-animation system
Hack Direct film painting - Chemical gardening (fiksering) - Scratch film
ELEK Spektral X-ray (+ CT) - IR-camera - MR scanning - Ultralyd-scan - Electro microscope (Zworykin) Mange af disse fortsætter også over i det digitale, men er her jo konverteret til digital data
Transmission Video feedback - Endoskopi - Video alarm - Video telefon
Syntese Atari video music - Beck Direct Video Synthesizer - ANIMAC
DIGI Optisk Scanner - Digital kamera - HDR-kamera - 360* kamera (via stitching)
Geometrisk 3D-scanner
Analyse? Motion detection - Motion capture
Syntese (software) Blender - Partikel-system